Kevin Bryan’s record reviews
Splendid stuff. Alasdair Fraser & Natalie Haas,”Abundance” (Greentrax/ Culburnie CUL 124)The latest release on Fraser’s excellent Culburnie label finds the expatriate Scottish folk fiddler continuing the highly fruitful musical partnership with classically trained cellist Natalie Haas which began with “Fire & Grace” a decade ago. The duo tackle a finely judged blend of traditional tunes and contemporary material as they help to revive the cello’s traditional role in Scottish dance music,with “The Corrie Man,” “Neil Gow’s Wife” and “Connie Suite” emerging as the cream of an eloquent crop.
Janine Jansen,”Bach Concertos” (Decca 478 5362) Janine Jansen’s latest project finds the violinist in typically sparkling form as she tackles some of Bach’s finest chamber music in close collaboration with twelve likeminded musical cohorts. This exhilarating new Decca CD features Bach’s “Violin Concertos Nos.1 & 2”, a brace of exquisite violin sonatas and the composer’s “Concerto for Violin and Oboe in C minor,” which finds the Dutch virtuoso working in tandem with oboist Ramon Ortega Quero.
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Hide Ad“Echoes of France Vol.2” (Fantastic Voyage FVDD 184) France may only be separated from Britain by a few miles of murky and storm tossed water but French popular music has rarely made too much of an impact on record buyers on this side of the Channel. This interesting 2 CD set aims to redress the balance a little as it serves up a tuneful introduction to the distinctive delights of Gallic musicmaking,drawing on recordings made between the thirties and early sixties by the likes of Jacques Brel,Edith Piaf,Juliette Greco and the mystifyingly successful Johnny Hallyday to name but a few.
“Mash It! (More) Jamaican R&B and the Birth of Ska” (Fantastic Voyage FVDD 178). The second volume in compiler Mike Atherton’s well researched series chronicling the evolution of ska and reggae focusses attention on fifty appealingly rough and ready recordings from half a century or so ago. The lifeaffirming contents include vibrant early waxings from several performers who would go on to become leading lights of the reggae genre,including Owen Gray, Laurel Aitken and Jimmy Cliff, who chips in with three tracks, “I’m Free,” “Dearest Beverley” and “Miss Jamaica.”